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William Powell Frith Dolly Varden by William Powell Frith oil painting


Dolly Varden by William Powell Frith
Painting ID::  73713
William Powell Frith
Dolly Varden by William Powell Frith
Oil painting depicting Dolly Varden, a character from Charles Dicken's book 'Barnaby Rudge' 1842(1842) cjr

   
   
     

William Powell Frith A dream of the future oil painting


A dream of the future
Painting ID::  91723
William Powell Frith
A dream of the future
Signed and dated W. P. Frith 1865. Oil on canvas, 51 x 41 cm. cjr

   
   
     

William Powell Frith Lady waiting to cross a street, with a little boy crossing-sweeper begging for money. oil painting


Lady waiting to cross a street, with a little boy crossing-sweeper begging for money.
Painting ID::  94624
William Powell Frith
Lady waiting to cross a street, with a little boy crossing-sweeper begging for money.
1858(1858) Medium English: Oil on canvas cjr

   
   
     

William Powell Frith A Private View at the Royal Academy, 1881. oil painting


A Private View at the Royal Academy, 1881.
Painting ID::  94625
William Powell Frith
A Private View at the Royal Academy, 1881.
1883 Medium oil on canvas Dimensions 60 x 114 cm (23 5/8 x 44 7/8 in) cjr

   
   
     

William Powell Frith The Crossing Sweeper oil painting


The Crossing Sweeper
Painting ID::  94999
William Powell Frith
The Crossing Sweeper
1858(1858) Medium English: Oil on canvas cyf

   
   
     

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     William Powell Frith
     English Painter, 1819-1909 His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass's Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O'Neil and John Phillip.

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